Xaver Varnus

Born in Budapest, the legendary organ virtuoso Xaver Varnus was the first child of a mathematician mother and a jazz pianist father. By the age of six, Varnus knew exactly what he would become. His first piano teacher was Emma Németh, one of the last pupils of Claude Debussy. He lit up the musical firmament of the world like a shooting star. At sixteen, he undertook his first concert tour of Europe. In 1981 Varnus left Hungary to study with the formidable Pierre Cochereau, the late organist of Notre Dame-de-Paris. Varnus made his North American debut on 5 May 1985 to a three-thousand-strong audience at the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C. He has played virtually every important organ in the world, including those in Bach’s Thomaskirche in Leipzig, Notre Dame, Saint-Sulpice and Saint-Eustache in Paris, and the Moscow Conservatory, as well as the largest existing instrument in the world, the Wanamaker Grand Court Organ in Philadelphia. In October 2005, followed by the invitation of Rowan Williams, Archbishop of Canterbury, he performed in concert to a full house of 4,000 people in Canterbury Cathedral in England. In 2006, he performed at the inaugural concert of the Palace of Arts in Budapest, one of Europe’s largest concert halls. Later that year, to celebrate the 25th anniversary of his concert debut, he played a sell-out concert on the legendary Cavaillé-Coll organ in the Church of Saint-Sulpice in Paris. Among the greatest European musical sensations of 2009 was the joint concert by the superb French jazz pianist Jacques Loussier and Xaver Varnus, who played twice to houses packed to capacity at the Palace of Arts. Perhaps the most daring concert Varnus has ever played was at the Budapest Sports Arena in 2011, when he appeared with the remarkable French jazz organist Rhoda Scott. Two hours before the concert, there was barely even a standing place left in the huge arena, where 14,000 people were gathered to listen to the two legendary improvisers’ fiendish virtuosity.

In 2013 Varnus opened the Berlin Summer Festival playing the world-renowned organ in the Berliner Dom, and again there was not a seat to be had. In October that year, the International Organ Festival in Toledo (Spain) began with his concert in the Church of Santo Tomé, where the queue to get in seemed to stretch for miles. However, fate reserved the most moving invitation for Varnus until 2014, when, on his fiftieth birthday, Ullrich Böhme, organist of the Thomaskirche in Leipzig, suggested he play the Sauer Organ over the grave of the mighty Johann Sebastian Bach. There was a slight altercation in the crowd gathered in front of the church when the doors opened an hour before the start. A younger woman indignantly told an elder American man not to push as she had been waiting over an hour to get in. “Madam,” he replied, “I have been waiting for 30 years to hear Xaver play in the Thomaskirche.”

Over many years, Varnus has evolved a practice of speaking to the audience from the stage, discussing the music and giving a new dimension to his concerts. Varnus is credited with bringing the music of Johann Sebastian Bach to young people with an innovative and exciting style. In 1992, he began a televised concert and lecture series at the Hungarian State Television. This was followed in 2002 by an extraordinary series of organ concerts for young people, which lasted for eight seasons. He is one of the most influential figure in organ music in the early twenty-first century. Organist, improviser, author, lecturer and media personality, Varnus has had a dramatic impact on the popular audience’s acceptance and appreciation of organ music. Over the course of his career, Varnus has played to more than six million people worldwide, recorded fifty-one albums, made sixty concert films, and written five books. His videos have surpassed 14 million views on YouTube. His quadruple platinum disc winning album From Ravel to Vangelis, released by Sony BMG in 2007, is the best-selling collection of organ recordings ever.

“Varnus is a monster talent, every bit as stimulating and individual as the late Glenn Gould.” These lines are by the distinguished Canadian critic Robert Everett-Green, which appeared in Canada’s national newspaper, The Globe & Mail on 8 May 1986. A few years later, the Toronto Star music critic Ronald Hambleton wrote: “Xaver Varnus has been called the Horowitz of the organ (The New York Times), or contrariwise the Paganini of the organ (Le Figaro). And even the Glenn Gould of the organ. But he is none of the above. Instead, he is plainly the Xaver Varnus of the organ, a self-assured prodigy with a mind of his own”. Twenty years later, the leading European music critic Miklos Fay wrote: “Xaver can talk the language of the people and has made millions interested in his concerts. If anyone can make classical music attractive, he can. He can play the organ, he is cultured, and he is a thoroughly modern figure who can prove with his personality that Bach is listened to not just by losers, people who have missed out on everything and are trying to prove to themselves and each other in their own narrow circles that Bach, and not delusive appearances, is the real thing.”

A Canadian citizen since the early eighties, Varnus has been married twice, and has two children in Canada, Daniel (born 1985), who is a mechanical engineer, and Nicholas (born 1987), who is a professional snowboarder. Varnus spends much of his time at his official residence Villa Varnus, his family’s beautiful historical country estate near Lake Balaton in Hungary, as well as at his homes in Budapest, Berlin and Toronto.

Varnus has received many honours, including the highest decoration for civilians in the land of his birth, the Grand Cross of the Order of Merit of the Republic of Hungary.

© 2014 SONY MUSIC